His playing style is marked by its emotional depth and technical brilliance. One of the key elements of Clapton’s sound is his use of alternate tunings. 

He sometimes adjusts the tuning of his guitar to achieve a richer, fuller tone that enhances the soulful expressiveness of his music. 

In this guide, I’ll dive into how Clapton tunes his guitar for different songs.

Open Tunings – Used Sometimes

Eric Clapton sometimes employs open tunings, especially open G and open D. He uses them to create the distinctive sound that has become synonymous with his name. This resonance is particularly well-suited to blues music, where the richness of the sound can elevate the emotional impact of a performance.

Clapton’s preference for open tunings, like open G (D-A-D-G-B-D) and open D (D-A-D-F#-A-D), is closely tied to his blues roots. These tunings make it easier to play slide guitar, a technique Clapton often uses to convey emotion through his music.

Clapton Likes It Standard

While Eric Clapton is renowned for his use of open tunings, he still primarily favors standard tuning (E-A-D-G-B-E) for much of his playing. Many of his most iconic songs, such as “Layla,” “Wonderful Tonight,” and “Tears in Heaven,” are performed in standard tuning. 

Clapton tends to reserve alternate tunings for specific blues covers, particularly those by Robert Johnson, a blues legend known for his use of open tunings. When Clapton re-tunes his guitar for these covers, it’s a nod to Johnson’s influence and a way to capture the authentic spirit of the original recordings while infusing them with his own distinctive touch.

Tuning the Guitar Half a Step or a Step Down

In recent years, Eric Clapton has occasionally detuned his guitar by half a step or even a full step for live performances. This subtle adjustment is often made to accommodate the natural changes in his voice, which, over time, has made it more challenging for him to sing certain songs in their original keys. 

By lowering the tuning, Clapton can reduce the vocal strain and deliver his performances with the same emotional intensity and precision. This practice helps him maintain the quality of his live shows and demonstrates his adaptability as an artist.

Most Popular Songs by Clapton and Their Tunings

Let’s check what tuning are his songs.

• Wonderful Tonight – Standard (EADGBE) tuning
• Tears in Heaven – Standard (EADGBE) tuning
• Cocaine – Standard (EADGBE) tuning

Here are some examples of songs where he uses open tunings

• Walkin’ Blues – Open G (DGDGBD) tuning
• Milkcow Calf Blues – Open G (DGDGBD) tuning
• Motherless Children – Open G (DGDGBD) tuning
• Preachin’ Blues – Open D (DADF#AD) tuning

Conclusion

In conclusion, while Eric Clapton is known for his occasional use of alternative tunings, particularly in his blues covers or for specific practical reasons like slide guitar, his preference remains with standard tuning for most of his music. Songs like “Layla” and “Wonderful Tonight” are classic examples of how Clapton’s mastery shines in standard tuning. That is where he crafts melodies that resonate deeply with audiences.

However, when covering blues legends like Robert Johnson or adapting his guitar to suit live performances, Clapton is not afraid to experiment with tunings to achieve the desired sound or accommodate his evolving vocal range. This balance between tradition and innovation is a hallmark of Clapton’s enduring legacy in the world of music.

The post Eric Clapton Tuning Guide — How Does He Tune His Guitar? appeared first on TunedStrings.

Songs By Different Tunings Used by Jimmy Page

DADGAD Tuning

• White Summer/Black Mountain Side: DADGAD
• Kashmir: DADGAD
• Midnight Moonlight: DADGAD
• No Quarter (Unledded Album): DADGAD

Standard Tuning

• Moby Dick: DADGBE
• Ten Years Gone: DADGBE

Open G Tuning

• That’s The Way: DGDGBD
• Bron-Y-Aur Stomp: DGDGBD
• Dancing Days (live): DGDGBD
• In My Time Of Dying (live): DGDGBD
• Travelling Riverside Blues: DGDGBD
• Black Country Woman: DGDGBD
• Going to California: DADGBD

Open A Tuning

• In My Time Of Dying (studio): EAEAC#E
• City Don’t Cry: EAEAC#E

Open C Tuning

• Friends: CACGCE
• Bron-Yr-Aur: CACGCE
• Poor Tom: CACGCE

Open F Tuning

• Jennings Farm Blues: EFCFAE

Double Neck Tunings

• Wonderful One
  • 6 string: F#F#C#F#C#F# (GGDGDG)
  • 12 string: Standard tuning capo 1

Alternate and Unique Tunings

• Hat’s Off: CGCGCE (or CGCEGC)
• Rain Song (studio): DGCGCD
• Rain Song (live): EADADE
• Wah Wah: AEAEEA
• When the Levee Breaks: CFCFAC (open G, down a tone)

The Inspiration Behind All the Tunings by Jimmy Page

The inspiration behind these tunings often comes from a blend of traditional folk influences and experimental creativity. Let’s delve into the origins and inspirations behind some of these unique tunings.

I found the following information on Reddit, here’s the source of the original discussion on tunings that Page used.

A-A-A-E-G-C# Tuning

This tuning appears to be an original creation by Jimmy Page. It’s a variation of open A tuning, likely developed through his experimentation and creative process.

D-A-D-G-A-D Tuning

This tuning gained popularity in British coffee house folk music, thanks to its creator Davey Graham, who picked it up during his travels in Morocco. Jimmy Page adopted this tuning, adding his own flair to create iconic tracks like “Kashmir.”

C-A-C-G-C-E Tuning

Inspired by John Fahey, an acoustic folk musician whom Page admired, this tuning was Fahey’s interpretation of Mississippi John Hurt’s different open tuning style. Page’s use of C-A-C-G-C-E is a nod to Fahey’s influence.

D-A-D-G-B-D Tuning

Known as Double Drop D tuning, this configuration gained traction through The Doors’ “The End” and Neil Young’s folk music. Page’s adaptation of this tuning added a unique dimension to Led Zeppelin’s repertoire.

C-G-C-E-G-C Tuning

Another open C tuning, this one was influenced by Roy Harper. Harper’s experimental approach to tunings resonated with Page, who incorporated it into his own playing style.

E-A-E-A-C#-E Tuning

This is a standard open A tuning. By tuning the guitar to an open A chord, musicians can play the chord without fretting. This simple yet effective tuning allowed Page to create resonant, powerful sounds.

D-A-D-G-B-E Tuning

Also known as Drop D tuning, this bluesy configuration was popularized by Mississippi John Hurt, later adopted by The Beatles, and subsequently by Page. In the ’80s and ’90s, bands like Soundgarden revived this tuning, paying homage to Page’s influence.

D-G-C-G-C-D Tuning

This tuning came from Martin Carthy, a highly influential English folk musician. Page likely picked it up around the time of recording “The Rain Song,” adding another layer to his diverse tuning repertoire.

D-G-D-G-B-D Tuning

Known as open G tuning, this configuration is akin to banjo tuning with an added D. Charley Patton, the father of Delta blues, used this tuning, which Page incorporated into his own playing.

Conclusion

Jimmy Page’s innovative approach to guitar tunings has been a cornerstone of Led Zeppelin’s groundbreaking sound. By exploring and adopting various tunings, Page unlocked a world of sonic possibilities that contributed to the band’s unique and enduring music. From the exotic sounds of DADGAD and the folk-inspired CACGCE to the bluesy depths of open G and the experimental open A variations, each tuning added a new dimension to Page’s guitar work. 

His willingness to experiment and draw inspiration from diverse musical traditions has left an indelible mark on rock history. Whether you are a guitarist seeking to expand your repertoire or a music enthusiast eager to understand the magic behind the music, delving into the tunings of Jimmy Page offers a fascinating glimpse into the artistry and innovation of one of rock’s greatest guitarists.

If you’re looking for a quick way to change your tuning, check out my ultimate guitar tuner guide.

The post Jimmy Page Tuning Guide — Tunings Explained appeared first on TunedStrings.

Drop C# tuning, characterized by the notes C#-G#-C#-F#-A#-D#, provides a deeper, heavier sound compared to standard tuning. 

This lower pitch gives your guitar a more robust, powerful tone, making it particularly appealing for genres that demand a heavier sound. It’s no wonder that Drop C# has become a go-to tuning for many metal and hard rock bands.

The importance and popularity of Drop C# tuning can be seen across various music genres, especially in the realms of metalcore, post-hardcore, and hard rock. Bands like Avenged Sevenfold, Alice in Chains or Evermore have embraced this tuning to craft their signature sounds. The versatility of Drop C# allows guitarists to effortlessly switch between thunderous, aggressive riffs and melodic, intricate passages.

What Exactly Is Drop C# Guitar Tuning?

We all know what drop D is — you take the lowest E string and tune it one step down to D, while other strings remain in their standard tuning.

C# or C-sharp is half a note lower than D. Technically, drop C# is actually drop D tuned half step down. 

One way to achieve this is by tuning your guitar half a step down and then further tuning the lowest string (which is D#) one step down to C#.

If this is confusing to you, I get it. Therefore, I decided to write a short step-by-step guide for complete beginners on how to get to drop C#.

How to Tune to Drop C#?

1. Start with the Low E String (6th string) and Tune Down to C#
   • Step 1: Begin by playing the open low E string (the thickest string).
   • Step 2: Using a tuner, slowly lower the pitch of the string by turning the tuning peg. Turn the peg counterclockwise if your guitar has standard tuning pegs.
   • Step 3: Continue adjusting until the tuner reads C#. This means you are tuning the string down three half steps (1.5 whole steps) from E to C#.
2. Tune the A String (5th string) Down to G#
   • Step 1: Play the open A string.
   • Step 2: Turn the tuning peg to lower the pitch.
   • Step 3: Use your tuner to guide you, and stop adjusting once you reach G#. This is half a step drop from A to G#
3. Tune the D String (4th string) Down to C#
   • Step 1: Play the open D string.
   • Step 2: Slowly turn the tuning peg to lower the pitch.
   • Step 3: Watch the tuner and adjust until the note reads C#. This requires a half a step D to C#.
4. Tune the G String (3rd string) Down to F#
   • Step 1: Play the open G string.
   • Step 2: Turn the tuning peg to lower the pitch.
   • Step 3: Adjust until your tuner shows F#. This means lowering the pitch by half a step from G to F#
5. Tune the B String (2nd string) Down to A#
   • Step 1: Play the open B string.
   • Step 2: Carefully turn the tuning peg to lower the pitch.
   • Step 3: Tune down until the tuner indicates A#. This involves lowering the pitch by half a step from B to A#.
6. Tune the High E String (1st string) Down to D#
   • Step 1: Finally, play the open high E string (the thinnest string).
   • Step 2: Turn the tuning peg to lower the pitch.
   • Step 3: Use your tuner to guide you, and stop when it reads D#. This means lowering the pitch half a step from E to D#.

What Songs and Bands Use Drop C-Sharp?

Here are some songs I like that use drop C#.

• “Almost Easy” by Avenged Sevenfold — They have plenty of songs in Drop D, but many of them sound even better if you go half a step lower.
• “Them Bones” by Alice in Chains — I was a huge fan of AiC in high school, and Them Bones was definitely an interesting song to learn to play.
• “My Own Smile” by Deftones — Their entire album Around the Fur is in Drop C sharp, I think.
• “BYOB” by System of a Down — SOAD really likes this tuning, and many songs on the Mesmerize album are in drop C#.
• “Something in the Way” by Nirvana — But this is only for the MTV live acoustic.
• “One Step Closer” by Linkin Park — LP loved using Drop C# for their songs.

Conclusion: Should You Use Drop C# Guitar Tuning?

Drop C# tuning opens up a world of rich, powerful sounds that can elevate your guitar playing, especially in genres like metal and hard rock. By tuning your guitar to Drop C#, you can explore new techniques, craft heavier riffs, and bring a unique depth to your music. Whether you’re covering popular songs or creating your own, this tuning offers endless possibilities for creative expression. So grab your tuner, give Drop C# a try, and let the music inspire you.

The post Drop C# Guitar Tuning: Tutorial and Popular Songs appeared first on TunedStrings.

Popular Songs and Their Tunings by Metallica

• Standard E: This is the most common tuning for guitars, and it’s used on most of Metallica’s albums, including Kill Em All, Ride the Lightning, Master of Puppets, …And Justice for All, the Black Album (except “Sad But True” and “The God That Failed”), and Hardwired…To Self-Destruct (except “Dream No More”).
• Eb Tuning: This tuning is achieved by lowering all the strings one-half step. Metallica uses Eb tuning on “The God That Failed,” “Killing Time,” Motörheadache,” “Load,” most of ReLoad, and Garage Inc. (New Recordings ’98). Read more about Eb tuning.
• D Standard: D standard tuning is achieved by lowering all the strings in two whole steps. Metallica uses D standard tuning on “The Thing That Should Not Be,” “The Small Hours,” “Sad But True,” “Devil’s Dance,” “Sabbra Cadabra,” “Whiskey in the Jar,” and “Dream No More.” Read more about D Standard tuning.
• Drop C# Tuning: In drop C# tuning, only the E string is lowered two whole steps, resulting in a C# note. Metallica uses this tuning for one song, “Bad Seed.”
• Drop C Tuning: Drop C tuning is similar to drop D tuning, but the E string is lowered three whole steps, resulting in a C note. Metallica uses drop C tuning on “Human” and “St. Anger” (except “Dirty Window,” “Invisible Kid,” and “The Unnamed Feeling”).
• Drop G# Tuning and Drop A# Tuning: These tunings are achieved by lowering the E string and A string whole steps. Metallica uses drop G# tuning on “Invisible Kid” and drop A# tuning on “The Unnamed Feeling.”
• Drop D Tuning: Drop D tuning is achieved by lowering only the E string down two whole steps. Metallica uses drop D tuning on “All Nightmare Long” and “Just a Bullet Away.” Read more about Drop D and Double Drop D tunings.

What Tuning Does Metallica Use for Master of Puppets?

Metallica actually uses Standard E tuning for “Master of Puppets.” This might surprise some listeners, especially those familiar with the band’s later explorations into heavier sounds achieved through dropped tunings. However, for their early and thrash metal masterpieces like Ride the Lightning and Master of Puppets, James Hetfield and Kirk Hammett relied on the clarity and brightness of standard E tuning. 

This choice allowed them to create the album’s signature riffs, like the galloping main riff of “Master of Puppets,” without sacrificing the razor-sharp precision of their picking. Standard E tuning also provides a platform for the intricate lead guitar work featured throughout the album, ensuring each note rings out clearly.

What Tuning is One by Metallica?

There’s a slight twist with the tuning for “One” by Metallica. The studio version isn’t exactly in standard tuning.

Here’s the breakdown:

• Technically not Standard E: While some sources might say “One” is in standard E, it’s actually about 20 cents sharp. This means it’s slightly higher in pitch than true standard tuning.

In practice, this difference is very subtle. For most guitarists, using a standard E tuning will get you close enough to the sound of the recording.

What Tuning Does Metallica Use Live?

Metallica primarily uses Eb tuning live for a significant portion of their setlist. This means all the strings on their guitars are tuned down a half step compared to standard E tuning.

Here’s why they might choose Eb tuning live:

• Vocal Comfort: As James Hetfield’s voice has matured, singing certain songs in their original E standard tuning might be more strenuous. Eb tuning allows him to deliver vocals with greater ease while maintaining the power and character of the music.
• Tighter Sound: Lower tunings can create a heavier and more bottom-heavy sound, which translates well to the live setting. This can be particularly noticeable in faster sections and high-energy riffs.
• Consistency: Eb tuning allows them to play a wider range of songs from their career with minimal adjustments between songs. This ensures a smooth and consistent live performance.

If you are interested in tuning your guitar reliably and accurately for Metallica songs, check out my guide on the best guitar tuners.

The post Metallica Tuning Guide — All You Need to Know appeared first on TunedStrings.

In this article, I’ll be diving into the world of tuning systems, specifically comparing two main approaches: equal temperament (ET) and just intonation (JI). Even if you’re not a music theory whiz, don’t worry! We’ll break it down in a way that makes sense for every guitarist (and other musicians).

Equal Temperament (ET) – A Western Music Solution

The most common system, and the one you’re probably familiar with, is called equal temperament (ET).

Here’s the basic idea:

Think of the space between two notes on your guitar, like the gap between E and F. In ET, we take that octave (the full range from E to the next E) and slice it up into twelve equal steps. Each fret you move up the neck represents one of these steps. This even spacing makes ET super versatile.

In other words, if you’re playing guitar, ET is the only type of tuning you’re using.

Here’s why ET rocks for guitarists:

• Plays nice in any key: Because the frets are all spaced the same, you can comfortably play chords and scales in any key without retuning. This is a huge advantage compared to other systems.
• Simple and familiar: ET is the standard tuning for most fixed-fret instruments. You already know how to use it! No complex calculations or adjustments needed.
• Practical for guitars: The fixed frets on a guitar make ET a perfect fit. You can focus on playing music without worrying about constantly fine-tuning each string.

Now, there’s a slight catch. This equal spacing in ET means some intervals (like fifths) might sound a touch less smooth compared to another tuning system called just intonation (JI). But that trade-off is worth it for the flexibility and ease of use that ET offers.

It’s worth mentioning that while 12-tone ET is the most widely used, there are other flavors of ET out there. These less common temperaments might divide the octave into a different number of steps, like 19 or 31. These alternative ETs aim to achieve a different balance between consonance and versatility. However, due to the practical limitations of fixed-fret instruments like guitars, 12-tone ET remains the most practical choice for most guitarists.

The 72 ET scale is probably the most interesting one out there. It was used in Byzantine chants, according to Wikipedia. It’s like there are six different microtones between each of the 12 steps. Here’s how that sounds, in case you’re wondering. I know – weird!

Just Intonation (JI): Tuning for Purity

We’ve explored the world of equal temperament (ET), the workhorse tuning system for most guitars. Now, let’s delve into a different approach: just intonation (JI).

Here’s the key difference between JI and ET: JI uses basic math relationships between notes, like simple fractions (3/2, 5/4), to create intervals. Imagine plucking a string – it vibrates not just at its main pitch, but also at higher frequencies that are multiples of the main pitch. These faint higher tones are called harmonics. Certain harmonics create especially smooth and pleasing sounds when played together. JI tuning aligns the pitches of different strings based on these harmonic sweet spots, resulting in pure and resonant intervals.

So, why might a guitarist consider JI?

• Heavenly harmonies: Chords played in JI can sound unbelievably rich and pure, with a depth and complexity you might not experience in ET.
• Emotional connection: JI allows you to tailor the tuning to a specific key, potentially enhancing the emotional impact of your music in that key.

But JI isn’t all sunshine and rainbows. Here’s the flip side:

• Key commitment: Unlike ET where you can play in any key, JI requires retuning the guitar for each key you want to play in. This can be a real hassle for guitarists who like to switch things up.
• Fret no more (literally): The beauty of JI clashes with the reality of fixed frets on a guitar. Since JI uses slightly different intervals depending on the key, it’s impossible to achieve perfect JI on all frets with standard tuning.
• Theory time: Understanding JI requires a bit more music theory knowledge compared to ET.

Conclusion: Equal Temperament vs Just Intonation?

This whistle-stop tour through tuning systems hopefully sheds some light on the battle between equal temperament (ET) and just intonation (JI) for guitarists. Remember, ET offers unbeatable versatility and ease of use, making it the go-to choice for most guitarists who need to play in various keys. JI, on the other hand, unlocks a world of pure, rich harmonies that can elevate your music in a specific key.

While there are other tuning systems out there, like alternative temperaments with more than 12 tones or microtonal tunings, achieving them on a standard guitar with fixed frets becomes quite a challenge. Additionally, JI’s key-specific nature means frequent retuning, which isn’t exactly ideal for most guitarists.

So, what’s the takeaway? Experiment! Play around with ET, the familiar friend. Then, if you’re feeling adventurous, delve into JI and explore its sonic potential. The world of tuning is a fascinating playground waiting to be explored. By understanding the options and their pros and cons, you can choose the tuning system that best suits your musical goals and unlocks your unique voice as a guitarist.

Some popular tuners can help you tune based on JI, including Peterson, which features the popular sweetened tunings.

The post Equal Temperament vs Just Intonation: A Beginner’s Guide appeared first on TunedStrings.

These little gadgets seem like a dream come true – no more digging for a lost clip-on tuner, right? Well, as much as I hate to burst your bubble, the reality of built-in tuners isn’t quite as rosy.

The Allure (and Limitations) of Built-In Tuners

Let’s be honest, built-in tuners have some undeniable charm. They’re convenient, like having a tiny tuning genie built right into your guitar. No more frantic searches for a misplaced clip-on tuner before a jam session. Plus, their interfaces are often simple and user-friendly, making them a breeze for beginners to navigate.

But here’s the thing – while these advantages are real, they’re not enough to crown built-in tuners the champions of the tuning world. They’re more like participation trophies – everyone gets one, but they don’t guarantee a winning performance.

The Not-So-Charming Flipside of Built-In Tuners

Here’s a short overview of what I think is wrong with most built-in tuners.

• Accuracy: Built-in tuners can be finicky, especially in noisy environments. They might leave you with a guitar that sounds “almost” in tune, which can be frustrating.
• Featurephobia: Forget fancy extras like metronomes or alternate tunings. Built-in tuners are strictly basic, offering little for experienced players.
• Aesthetics (acoustic guitars only): Some find those tiny tuners stuck on the headstock to be a real eyesore.

Tuning Up Your Options: Beyond Built-Ins

So, if built-in tuners are best left on the shelf, what are your other options? Luckily, the world of guitar tuners is brimming with fantastic alternatives:

• Clip-on tuners: These versatile tuners clip right onto your guitar’s headstock, offering great accuracy at an affordable price. They’re perfect for quick tuning on the go and can handle noisy environments much better than built-in tuners.
• Pedal tuners: For electric guitarists who love their pedalboards, tuner pedals are a dream come true. They offer superior accuracy, a variety of tuning modes, and integrate seamlessly with your existing effects setup.
• App tuners (Smartphones): In the age of smartphones, there’s a there’s a tuner app for practically everything! These free or low-cost options are surprisingly accurate and often include features like metronomes and even chromatic tuning. While they might not be ideal for stage use due to potential battery drain, they’re a convenient option for practice sessions.

Check out my guide on the best guitar tuners.

Conclusion

As a guitar tuning expert, I can confidently say that while built-in tuners offer a tempting convenience factor, their limitations in accuracy and functionality make them a less-than-ideal choice. They’re like participation trophies in the tuning world – sure, they’re there, but they won’t help you achieve your full potential.

Let’s recap: built-in tuners can be finicky, struggle with noise, and offer very few features. On the other hand, there’s a whole world of fantastic alternatives waiting to be explored. Clip-on tuners are affordable, accurate, and versatile. Pedal tuners (for electric guitars) integrate seamlessly with your effects setup and offer superior control. Even smartphone apps can provide surprisingly accurate tuning on the go.

The bottom line? Don’t settle for the frustration of an unreliable built-in tuner. Invest in at least a good clip-on tuner. Your ears (and your bandmates) will thank you! Now get out there and make some perfectly tuned music!

The post Are Built-In Guitar Tuners Good? appeared first on TunedStrings.

But fear not, fellow string-benders! There is one big reason why the G string might be acting up. Let’s explore!

Frets vs. Fretless: A Tale of Two Intonations

Unlike their fretless cousins in the orchestra (violins, cellos, etc.), guitars rely on frets to make music accessible. 

These metal bars define the notes you can play, but they come at a cost: perfect intonation. 

Here’s the science bit: in a perfect world, each note on a string would have a slightly different fret placement to achieve true pitch. But frets are fixed, making a compromise called “equal temperament.” 

It keeps things playable but introduces tiny tuning inconsistencies, especially for the G and B strings.

Imagine a violinist or cellist. Their instruments have no frets, allowing them to adjust finger placement for every single note. This enables them to achieve perfect intonation – every note rings out exactly as it should. 

However, mastering fretless instruments takes years of practice and a highly trained ear. It’s like driving a high-performance manual transmission car – incredibly rewarding once you’ve honed your skills, but it has a steep learning curve.

The Fretted Compromise: Playability for the Masses

Guitars, on the other hand, are like automatic cars. The frets act as gears, making it easy for anyone to jump in and play a decent tune (cowboy chords!). This accessibility comes at a slight cost in precision. Equal temperament ensures that all the notes are close enough, but the G and B strings, due to their unique properties, are more susceptible to slight intonation issues.

Here’s the good news: this “imperfection” doesn’t have to hold you back. Legendary bands like The Beatles, AC/DC, and Yes all used guitars with this very feature. They learned to compensate by slightly adjusting the tuning of the G and B strings for specific chords (like switching between A and D). It’s a subtle tweak that keeps things sounding harmonious in the real world of music.

So next time you find yourself fiddling with the G string, remember: it’s not a malfunction, it’s a design choice. Embrace the spirit of the instrument, learn to compensate with slight tuning adjustments, and keep on rocking! After all, even with its quirks, the guitar has unlocked a world of musical expression for millions.

Tuning In: The Science Behind Musical Tuning

The world of musical temperament is vast and fascinating, reaching far beyond the fret vs. fretless debate. Equal temperament, while practical, isn’t the only game in town. Throughout history, musicians have explored alternative tuning systems, each with its own unique sonic character and strengths.

These are just a taste of the rich tapestry of musical temperaments. In future posts on TunedStrings, I’ll delve deeper into these and other fascinating tuning systems. We’ll explore their historical significance, how they shaped the music of different eras, and how some temperaments are making a comeback in contemporary music production.

The post Why Is G String Always Out of Tune on Your Guitar? appeared first on TunedStrings.

This track isn’t just iconic for its hauntingly beautiful melody and Flea’s pulsating bass line. It also harbors a secret weapon – a slightly detuned B string. Here’s the thing: chances are, it wasn’t intentional.

Some will argue Frusciante was a tuning mastermind, deliberately throwing the B string flat to achieve a specific, “just intonation” interval. While that makes for a cool theory, there’s another, more rock-and-roll explanation.

Think about it. 

Frusciante is notorious for his improvisational fire. In the throes of creation, it’s entirely plausible a stray bend or an overzealous strum detuned the B string and made it slightly flat, then back down a hair, landing it somewhere beautiful, yet technically “out of tune.”

Here’s where the magic happens. That detuned B string creates a subtle dissonance, a bittersweet twang that weaves its way through the opening chords and melody. It adds a layer of melancholic tension that perfectly complements the song’s introspective lyrics. It’s almost like the guitar itself is yearning for something just out of reach, mirroring the emotional core of “Scar Tissue.”

It’s All Just Intonation

While the accidental detuning might seem like a departure from traditional tuning, it’s interesting to consider its connection to Just Intonation. This approach emphasizes mathematically perfect intervals between notes, creating a purer sound for chords. In “Scar Tissue,” Frusciante isn’t strumming full chords, but rather picking out individual notes that build the melody. Here’s where the the good stuff (and the slight dissonance) happens. The detuned B string, which might have been intuitively adjusted for a more consonant chord voicing, creates a subtle tension when played as single notes within the melody. This unexpected friction adds a layer of beauty and melancholic yearning that perfectly complements the song’s emotional landscape. Even a happy accident can have surprising theoretical roots!

How to Tune Guitar for Scar Tissue?

Here’s the simplest tuning guide you’ll encounter: tune down the B string by 14 cents. That’s it!

For this, you’ll need a good tuner that can help you display cents, so make sure to check my article discussing guitar tuners.

Some Art Isn’t Intentional, But It’s Meant to Be

The beauty lies in the fact that it wasn’t a calculated move. It was a happy accident, a testament to Frusciante’s ability to find beauty in the unexpected. It’s a reminder that sometimes, the most inspiring sounds come from imperfections, from the places where the rules get bent just a touch. So next time you pick up your guitar, don’t be afraid to experiment. You never know, a little detuning might just birth your next masterpiece.

The post John Frusciante’s Guitar Tuning on Scar Tissue Made Him a Legend appeared first on TunedStrings.

The long answers is: 

The biggest challenge with phone tuners is background noise. Built-in mics are great for capturing voice calls, but they’re not designed for the nuanced world of musical frequencies. In a noisy environment, like a band practice space or a crowded bar, the mic can struggle to isolate your clean guitar signal. This can make it difficult for the tuner app to accurately identify the pitch.

Another potential hurdle is the low-end frequency response of phone mics. They tend to be less sensitive to lower tones. This can be a real problem for bassists. The low B string on a bass guitar vibrates at a much slower rate than the high E string on a guitar. A phone mic might not pick up those low vibrations effectively, making it frustratingly difficult to tune the bass accurately.

Don’t get me wrong, phone tuners can be a great tool, especially for beginners or for quick on-the-go adjustments. But if you’re a serious musician who needs pinpoint accuracy, especially in noisy environments or for bass guitar, a dedicated electronic tuner might be a better option.

Pros and Cons of Phone Guitar Tuners

Even though phone tuning is not ideal, there are some cases they can turn out useful.

Pros

Phone tuners have revolutionized the way guitarists keep their instruments in tune. Here’s what makes them so popular:

• Always in your pocket: Forget lugging around bulky tuners! A phone tuner is the ultimate in convenience. It’s there whenever you need it, whether you’re at home, at practice, or backstage before a gig. No more scrambling to find that misplaced electronic tuner.
• Feature-packed powerhouses: Many tuner apps go beyond just tuning. They offer a variety of features that can be incredibly useful for guitarists:
• Multiple tuning modes: Whether you’re a standard tuning traditionalist or want to experiment with dropped tunings or open tunings, most apps have you covered.
  • Metronomes: Built-in metronomes help you develop your timing and rhythm skills. No need for a separate device.
  • Chord libraries: Stuck on a tricky chord progression? Some apps offer visual chord libraries to help you find the right fingering.
  • Ear training games: Sharpen your ear training skills with interactive games that help you identify intervals and chords by sound.

Cons

• Noise can be a nightmare: As mentioned earlier, background noise can wreak havoc on a phone tuner’s accuracy. In a noisy environment, the microphone can pick up extraneous sounds, making it difficult for the app to distinguish your guitar’s clean signal. This can lead to frustrating tuning struggles.
• Battery dependence: A dead phone equals a dead tuner. While most tuning sessions are quick, relying solely on your phone’s battery can be risky, especially for gigs or long practice sessions. Consider keeping a dedicated tuner on hand as a backup.
• Not ideal for low frequencies: Phone mics often have a limited low-end frequency response. This can make it challenging to tune the lower strings on a bass guitar or guitars with particularly thick strings. The app might struggle to pick up the subtle vibrations of these low notes.
• Distraction potential: Some tuner apps have flashy interfaces or additional features that might be distracting, especially for beginners. Plus, not to mention all the in-app adds that free phone tuners have as a way to monetize themselves. A dedicated tuner with a simple, no-frills interface might be a better choice if you find yourself getting sidetracked by your phone’s other functionalities.

Alternatives to Phone Tuners

If you don’t want to buy a pedal tuner, but instead prefer a portable solution, you should check some of the clip-on tuners I covered in this article. 

Good clip-on tuners attach directly to the headstock of your instrument, vibrating along with the strings. This isolates the sound from your guitar, eliminating the problems background noise poses for phone mics. You can tune accurately even in a loud band practice space or on a noisy stage.

Moreover, Clip-on tuners are specifically designed to pick up the vibrations of guitar strings. This makes them much more adept at handling low frequencies compared to phone mics. Bass players will especially appreciate the accuracy clip-on tuners offer for their low B and E strings.

The post Are Phone Guitar Tuners Good? appeared first on TunedStrings.

There are two main methods for tuning a 5-string bass: by ear and using an electronic tuner. 

In this guide, I will explore both methods and provide step-by-step instructions on how to tune a 5-string bass to the standard tuning (B, E, A, D, G). Moreover, I will discuss some other popular alternate tunings for five-string basses. Read on!

Standard 5-String Bass Tuning (B E A D G)

I highly recommend using a tuner for tuning basses, as low-end frequencies can get difficult to fine-tune if your ear is not extremely well-trained.

Moreover, cheaper clip-ons probably won’t do the trick here either, as they might have trouble picking up the low B string, especially in louder environments. In the case of a 5-string bass, a pedal tuner is your best bet.

Here’s a step-by-step guide on how to use a tuner to tune your 5-string bass to standard tuning (B, E, A, D, G):

1. Power Up and Choose Mode: Turn on your electronic tuner. Most tuners have a built-in microphone or a dedicated input jack for a clip-on tuner. Select the “bass guitar” mode on your tuner if available.
2. Pluck the open B string (lowest string) on your bass.
   1. The tuner will display the current pitch of the string.
   2. If the note is sharp (higher than B), slowly turn the tuning peg for the B string counter-clockwise until the tuner indicates “B,” and the needle is centered (or the display shows green/in-tune).
   3. If the note is flat (lower than B), slowly turn the tuning peg for the B string clockwise until the tuner indicates “B” and the needle is centered.
3. Tune the Remaining Strings (E, A, D, G)
   1. Repeat step 2 for each remaining string, working your way down from the E string to the G string. Remember to mute the other strings with your fingers while tuning a specific string to avoid interference.

Fine-Tuning:

• Once all strings are roughly in tune, go back and fine-tune each string for optimal accuracy. Pay close attention to the tuner’s display and make small adjustments to the tuning pegs.

How to Tune a 5-String Bass by Ear

Tuning a 5-string bass by ear requires a good understanding of musical reference pitches and the ability to discern subtle pitch differences.  While electronic tuners are generally recommended for beginners, training your ear to tune by ear offers a valuable skill for situations where a tuner isn’t readily available.

Here’s a breakdown of two common methods for tuning a 5-string bass by ear:

Using a Reference Pitch

You’ll need a reliable source of a specific note to act as your reference. This could be:

• A tuning fork set to a specific note (ideally B for the 5-string bass).
• A pitch pipe that can generate specific notes.
• Another tuned instrument (piano, guitar) where you can identify a particular note (like the open E string on a guitar).

Play the reference pitch and simultaneously pluck the open B string on your bass. Carefully listen for the interaction between the two notes. Tune it up or down based on your reference pitch.

This is the part I was talking about: if this is difficult for you to hear, use a tuner. If you can spot the subtle differences of low notes in regard to the reference pitch, proceed with tuning by ear.

Once the B string is tuned, you can use it as a reference for the other strings:

• Play the 5th fret on the tuned B string. This note is an E.
• Pluck the open E string on your bass and adjust its tuning peg until it matches the pitch of the 5th fret on the B string.
• Continue using fretted notes as references to tune the remaining strings (A string using 5th fret on E string, D string using 5th fret on A string, and finally G string using 5th fret on D string).

Using Harmonics

Harmonics are notes produced by lightly touching a string at specific points without fully pressing it down on the fret. 

They are higher than the original notes of a bass guitar, so it is easier to hear them properly and hear the differences between them. Tuning using harmonics is an intermediate/advanced technique. So here is how it works.

The 12th fret harmonic of any string is an octave higher than the open string note.

• Gently touch the 12th fret of the B string without pressing down fully. Pluck the string and listen to the harmonic.
• Compare this harmonic to a reference pitch 
• Adjust the B string tuning peg until the harmonic and reference pitch sound identical.

Naturally, the harmonic will be a much higher sound to a reference pitch, but it’s important that they are both B, just different octaves.

Now it gets interesting:

The seventh-fret harmonic of the E string should match the fifth-fret harmonic of the B. Play them at the same time and tune your E string to match the B.

Repeat this pattern for the rest of the strings: the seventh-fret harmonic of the lower string should match the fifth-fret harmonic of the upper. In other words:

• 7th-fret A harmonic matches 5th-fret E harmonic
• 7th-fret D harmonic matches 5th-fret A harmonic
• 7th-fret G harmonic matches 5th-fret D harmonic

If you’re not sure how harmonics work. I recommend the video below.

Alternative Tunings for 5-String Bass

There’s not many bassists who experiment with alternative tunings for 5-string basses, as they already give a lot more freedom, and there’s no need to do Drop D tunings. Still, one of the popular options is: CEADG 

For this, only tune the B string half a note up. What I discovered is that in some rare cases — especially in metal — the bassist would go lower. 

For example, Ryan Martinie from Mudvayne sometimes uses: GCGCF. Technically, you drop the B and E strings for two full notes and then A, D, and G for one full note.

There’s also a Drop type of tuning — AEADG, where you only need to detune the B string to A.

Popular Bassists and Songs with 5-String Basses

I particularly admire Tony Levin, as he had a period of using a five-string bass before switching to his famous upright bass.

Of course, one doesn’t talk about five-stringers without mentioning Primus’ Les Claypool. My particular favorite is My Name is Mud, which combines slapping, ghost notes, and the spooky-sounding B string.

Finally, the name synonymous with 5-string is Nathan East. Even though I know about him from his work with Eric Clapton, he is actually a much more versatile in terms of genres.

I don’t actually know what are the signature songs he played on a 5-string, but here’s a lesson from the man himself.

Conclusion

Proper tuning of your 5-string bass guitar is essential for achieving a clear, powerful, and in-tune sound. This guide has equipped you with the knowledge to tackle tuning with electronic tuners and by ear.  

For the adventurous, explore the world of alternative tunings to unlock new sonic possibilities and personalize your bass sound.  

Remember, consistent practice and experimentation are key to mastering the art of tuning and unlocking the full potential of your 5-string bass guitar.  Now get out there, tune-up, and lay down the low-end groove!

The post How to Tune a 5-String Bass Guitar appeared first on TunedStrings.